After residing in lockdown, we’ve remodeled how we interpret and work together with non-public and public areas, interiors and exteriors. We’ve discovered that artwork, in all of its varieties, together with public shows and accessible industrial creations, is extra significant than ever. We’d like artwork to attach with others, to grasp ourselves and our environments and relationships, and to seek out solace amid lethal pandemics, geopolitical unrest, and ongoing social strife. Generally, the best photographs and concepts supply probably the most profound solutions and anecdotes. Artwork that manipulates scale and navigates the nebulous oscillation between perceived actuality and our imaginations is most important in precarious occasions.
The uncomplicated, whimsical type of Jean Jullien has develop into as important as it’s ubiquitous in a world in dire want of pleasure, escape, and fancy. Comply with the French graphic design artist via his creative profession, spanning illustration, images, video, costumes, installations, books, posters, clothes, and skateboards. At age 39, Jullien has captivated the worldwide artwork world, delighting museums and galleries in cities corresponding to Paris, London, Brussels, Los Angeles, New York, San Francisco, Berlin, Tokyo, Seoul, and Singapore. He’s collaborated with myriad manufacturers together with Beams, RCA Data, The Connaught, Colette, Amnesty Worldwide, Le Coq Sportif, Jardin des Plantes (Nantes), Lodge Amour, Champion USA, Salomon, and Petit Bateau.
Bask in a complete survey of his profession to date with a vibrant Phaidon hardcover monograph, that includes 340 illustrations throughout 256 pages. The uplifting ebook is obtainable to pre-order now for April 21 cargo at $69.95.
Jullien is driving the wave of his current solo exhibition, CHUT, which closed March 15 at Kantor Gallery in Beverly Hills, California. The present’s playful title borrows from the French onomatopoeic “shh.” Ten new work on view explored the highs and lows of browsing, and Jullien’s daring leap into superb artwork.
Phaidon’s Jean Jullien is split into three sections investigating the artist’s personal gaze into his profession: the private, the collaborative, and the general public. His quirky artwork takes on severe topics and has acted as a name and catalyst for peace and alter. Jullien printed a drawing in solidarity after the Charlie Hebdo shootings in January 2015, and he reinvented the peace image to invoke the Eiffel Tower in response to the November 2015 terrorist assaults in Paris.
Private takes readers on a journey of Jullien’s influences and inspirations, navigating seashores, surf, and household life, together with an intimate interview between Jullien and his mother and father, Sylvie and Bruno.
“You drew the whole lot–the individuals round you, your environment, your mother and father, your brothers and sisters, your grandparents, your world, your video games,” Sylvie Jullien reveals. “While you gave us presents, they have been all the time drawings. We saved them, after all. You’ve all the time been inventive. In a approach, that turned you off conventional schooling and college a bit. However as quickly as you got an opportunity to precise your self via drawing, you bought your self seen and will persuade anybody of your expertise. You used drawing as a strategy to talk your concepts.”
Collaborations attracts us deeper into Jullien’s skilled life, via interviews with Mathieu Van Damme, the founder and artistic director of Case Studyo, and Jae Huh of Nounou. Van Damme encountered Jullien on Instagram, noting that the artist “posted nearly day by day–illustrations on on a regular basis life and matters within the information.” Van Damme reached out to Jullien and their first shared enterprise, Vibrant Concept, was rapidly born. “Sure, that was a lamp. Sure,” Jullien cheerfully notes. This chapter highlights the significance of Jullien’s prolific model partnerships, working the gamut from streetwear to consuming glasses embellished along with his singular droll face motif.
The ultimate part illuminates Jullien’s perspective and methodology for artwork created solely for public consumption, starting from journal covers and illustrations to colossal installations in public parks. Loran Stosskopf, inventive director of weekly French cultural and tv journal Télérama, explains in an essay how the 2 labored collectively to signify COVID-19 on the shiny cowl. “I knew that Jullien would instantly illustrate a picture that had no hint of negativism or alarmism,” Stosskopf wrote in an essay for the monograph.
Within the introduction, Raphaël Cruyt, who, collectively along with his spouse Alice van den Abeele, based the Alice Gallery in Belgium, presents context that conveys the scope and affect of Jullien’s oeuvre. “He holds up a mirror to society wherein we are able to all see ourselves,” Cruyt eloquently explains. “The tone is mild, his empathy is pure, the message common.”
“I want we might all see the world via Jean’s eyes–with this distinctive surprise and a spotlight to humanity,” Sarah Andelman, the founder and artistic director of Colette, a Parisian idea retailer positioned on the town’s Rue Saint Honoré, expresses within the afterword.
By way of Phaidon’s cautious curation, we are able to all have a glimpse.