The Met Gala is about to return on the primary Monday in Could, after a number of postponements due to COVID-19.
Vogue’s largest crimson carpet will happen on the Metropolitan Museum of Artwork in New York Metropolis on Could 2, and is certain to attract main star energy.
Whereas 2021’s “In America: A Lexicon of Vogue”-themed gala was pushed to September, this yr’s will function a continuation of types, with a barely tweaked (however nonetheless all-American) theme and a brand new costume code that’s certain to encourage everybody from Kim Kardashian to Rihanna.
With hosts Blake Vigorous, Ryan Reynolds, Regina King and Lin-Manuel Miranda main the cost alongside honorary co-chairs Tom Ford and Anna Wintour, the 2022 occasion will likely be full of A-list names.
Learn on to study the whole lot it’s essential know in regards to the theme and what to anticipate on the crimson carpet.
What’s the theme?
“In America: An Anthology of Vogue” — which, certain, doesn’t sound a lot completely different than final yr’s theme. However there received’t be any costume code déjà vu; this time round, it’s all about “gilded glamour.” (In 2021, invitations referred to as for company to channel “American independence” with their outfits as an alternative.)
“Mud off Edith Wharton’s ‘Age of Innocence’ and ‘The Home of Mirth,’” says Vogue. “The 2022 Met Gala will ask its attendees to embody the grandeur — and maybe the dichotomy — of Gilded Age New York.”
What’s “Gilded Glamour”?
The Gilded Age spanned from 1870 to 1890. Coined by Mark Twain, the time period denotes a time of prosperity, industrialization and development.
Among the many many innovations of the interval, together with the lightbulb and the phone, have been machines to hurry up the method of clothes-making. Suffice to say a mixture of textiles and an extra of fringe, bows, ruffles and different ornamental particulars would match proper in on this yr’s crimson carpet. In a phrase: extra.
Who determines the costume code?
Anna Wintour, together with head curator of the Museum of Fashionable Artwork’s Costume Institute Andrew Bolton, are accountable for selecting the exhibit theme, the items displayed and, in the end, the whole lot in regards to the occasion.
The Vogue head honcho is so meticulous about the whole affair, she even curates the visitor checklist and sometimes advises attendees on what to put on.
Why “Gilded Glamour”?
Bolton told Vogue that the second half of the “In America” exhibit supplies “historic context” to the final.
“The tales actually replicate the evolution of American type, however in addition they discover the work of particular person tailors, dress-makers, and designers,” Bolton mentioned. Whereas the exhibit will characteristic works by Oscar de la Renta and Halston, it should additionally highlight lesser-known vogue abilities all through historical past.
Will anybody really comply with the costume code?
Retaining with the Americana theme, anticipate US designers like Tom Ford, Marc Jacobs and Prabal Gurung to have main showings. Nonetheless, European labels like Versace and Valentino are certain to deliver the (gilded) glamour and drama from abroad.
Kim Kardashian has teased that her look requires “shape-shifting,” whereas Katy Perry — recognized for her “kooky, loopy, wild, massive, enjoyable, colourful” getups (her phrases) — advised Web page Six Fashion she’s taking part in a “completely different card” this yr.
Whereas 2021’s broad interpretation of “American independence” allowed for extra creativity, it appears celebs may have no selection however to glitter and shine in unison this yr.
What have been previous themes?
There weren’t at all times back-to-back reveals. Earlier than the pandemic, stars wowed on the 2019 “Camp: Notes on Vogue” Met Gala in seems to be impressed by chandeliers, showgirls, historic Egyptian gods and extra.
Different notable themes from previous years embody “Alexander McQueen: Savage Magnificence” (2011), “Punk: Chaos to Couture” (2013), “China: By the Wanting Glass” (2015), “Manus x Machina: Vogue in an Age of Expertise” (2016) and “Heavenly Our bodies: Vogue and the Catholic Creativeness” (2018).
